Archive for February, 2007

Let’s Play The Match Game!

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Lou Silverstein (NY Times)

Speaking of judging…

He answered the hotel room door in his “shorts.” I felt immediately awkward at his presumed intimacy but I pretended that there was nothing at all odd about it. It was the second time in my life that I had knocked on a door that was answered by an older guy in his boxer (thank God) underpants.

Ted Majeski, my boss at United Press International, called me to his office one day and when I knocked on his door he peeked it open a tiny bit and stayed kind of half hidden behind it, which was tough for a man of his size. I spotted a brilliant white glow coming from where his pants should have been below his ample waist. It was his sun-starved legs.

Ted claimed that he had spilled coffee on his pants and needed me to run down to 36th and Lex. to pick up his dry cleaning, but I knew this was just one of his usual ploys to get me to do something for him. He held up a beefy knee to prove it and I was off.

(more about Ted: http://visualeditors.com/gude/2006/09/bligh-at-upi/)

On this second occasion I had been in Bogotá giving a lecture on information graphics, which caused me to be one day late to judge visuals at a statewide competition in Florida. I was to do this with only one other person, a man whose name had always struck fear and admiration in the newspaper design world, Lou Silverstein, the recently retired Assistant Managing Editor for visual design at the New York Times. This was the guy who had redesigned the Times with nine new sections and adopted a six-column format. Word on the street was that Lou was one tough hombre to work for if you didn’t deliver the goods. At that time, he was the number one newspaper designer on the planet.

And I was this dopey AP artist.

Lou had already been at the hotel for a full day when I arrived and there was a message to come right to his room. I took a deep breath and headed down. But instead of encountering the notorious Terror of the Times I met a sweet, older man with welcoming eyes and a smile, and no pants, who motioned me into his room. (We all had grandpas, and that’s how I decided to process this. For instance, a friend of mine’s grandfather dropped his pants and tucked in his shirt in line at a McDonalds. What’s up with that? Are we all doomed to do that?)

Now, I had a plan on how I was going to handle judging with a superior being, and it was brilliantly simple: whatever Lou picked, I would pick. He would be the real judge and I would be the guy who brought coffee and told jokes, my usual role in a newsroom. The thought of trying to defend my opinions against any opposition from him was unimaginable. I mean, Hell, I made maps!

In Lou’s room, near the pants, were piles of newspapers. With a wave of his hand, Lou said the words that chilled my heart,

“I’ve already made all my selections, so why don’t you take these back to your room and make yours and we’ll see where we match up?”

“Oh crap,” I thought.

In my room I had one goal, to figure out which ones Lou might have picked, but it was not to be. I had to choose for myself and pray that my inexperienced eye might luck onto a match.

Having made my selections I knocked on his door while balancing the massive pile of heavy papers. Tortured, I pulled out my selections one at a time and presented them to Lou on the floor before his throne, I mean chair. To my utter astonishment more than three-quarters of them were a direct match (there was some pretty bad stuff in that pile), and, as proof that you can’t always believe what you hear about people, Lou gently explained, after saying that he had seriously considered the one I had chosen, his reasons for choosing his and offered, almost insisted, actually, that we go with my choice every time.

Now that’s a good guy.

After that we palled around, judged more stuff (photography, graphics) and had dinner, where I met grandma. (Turns out Lou lives in Florida.)

See ya around, Lou.

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Later: more encounters with the famous!

O sleep, O gentle sleep

First, a news flash: Ed Gabel has just quit Time magazine after nine years to work with Joe Zeff (joezeff.com), the former Time magazine graphics director, creating one hell of a powerful 3D design duo. Ed was a pain in the butt for me when we went head-to-head against him at Newsweek. Great story-teller, great illustrator. Good friend, too. But, I don't think that he and Joe will ever get any work done. They'll just ride around on their motorcyles all the time.

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Ed Gabel

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Joe Zeff

Kevin Hand at Newsweek (kevinhand.com) rides one, too.

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Kevin Hand and Imo

All these amazing 3D guys are riding. What's UP with that, anyway? Well, since I'm taking Maya classes, I had to go get a bike, too. It's a rule, I think.

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I want to be cremated.

(Speaking of "news" flash, did everyone but me know that the word comes from "north, east, west, south," as in it comes from all sides? It's what a weathervane spelled out...)

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SO, I don't normally sleep around...Honest.

I'm devoted to just one bed: my own.

But, I have a confession to make.

At SND, I blew it ...

I slept around ... here and there...

And I wasn't choosy, either.

I showed no favoritism.

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Sleeping with gold and silver...and rejects, too.

My warm blanket is one of two El Mundo Gold winning entries, this one for feature graphics, a tiled together look at fashion (MODA)

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Thanks again, judgemates. We had a ball, and I miss you all:

The fun, passionate Charles Apple (a hell of a good writer. check out his fun blog about the judging here: http://www.visualeditors.com/apple/ and his hilarious reaction to a rotten entry, captured on video, here: http://snd28.blogspot.com/2007/02/i-vote-no-by-charles-apple.html);

Pensive Vivian

My new buddy Carrie

The talkative (NOT!) Leo.

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These are some caricatures I doodled of us on the brown butcher block paper covering the tables as we discussed medal contenders along. Below us are our voting chip colors.

Photo gallery: (their bios are below)
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Charles Apple with SND Scandinavia's Anna Östlund
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Carrie Cockburn and Vivian Kent
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Leo Tavejnhansky with Jamila Robinson (St. Louis Post-Dispatch)

CHARLES APPLE is graphics director of The Virginian-Pilot, Norfolk. Previously, he worked for papers in Raleigh, N.C., and Des Moines, Iowa, and for the Chicago Tribune. The winner of several SND awards for graphics and graphics reporting, Apple has taught numerous workshops and contributes to SND’s Design magazine and various online forums.

VIVIAN KENT, a freelance graphic artist for the Daily Mail in London, is a qualified cartographer. She joined the Economist in 1969, later becoming department head. Kent was elected a Fellow of the Royal Geographical Society in 1987. Following a year at the Sunday Correspondent, she joined The Daily Telegraph in 1990, subsequently becoming deputy graphics editor. She is the winner of many awards for animated news graphics.

KARL GUDE left a 27-year news career to teach information graphics at Michigan State University’s School of Journalism. For the past decade, he has worked at Newsweek magazine. He was director of information graphics for most of that time. During the 17 years prior, he worked in a similar capacity at United Press International and the Associated Press, and at the Daily News, in New York, and the now-defunct National Sports Daily.

CAROLYN "CARRIE" COCKBURN is graphic artist in the news section of The Globe and Mail, Toronto. She has won two awards from SND for graphics at the newspaper. Previously, she ran a photography business, as well as working for the Financial Post in Toronto as the assistant photo editor and then graphic artist.

LÉO TAVEJNHANSKY, art director for O Globo, Rio de Janeiro, Brazil, has designed and redesigned many newspapers across Brazil. He has been working as an art director and designer since 1970. He’s received SND awards, and he’s spoken at two SND Annual Workshops. He is the subcommittee coordinator on design/photography at Brazil’s Association of Newspapers.

Things that you DON'T want to hear

SND graphics awards facilitator, Greg Swanson, from the Quad-City Times in Davenport, Iowa. (GREAT guy)

Things that you don’t want to hear:
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“I nominate Karl to speak if we’re asked to.”

“Did you realize this bottle of wine you bought was $50?”

“Can I have your autograph?” (I swear to God)

“Sir, your return ticket was purchased for MARCH 20, not February 20.”

“Sorry, no Tylenol. Will a TUMS do?”

“No other rooms, sir. Would you like us to ask them to quiet down?”

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Welcome to my last 18 hours. I’m in a hotel room next to the airport in Syracuse with 24 hours to kill. I think my neighbors have had sex twice, had a pizza delivered, hate someone named Karen and like Court TV. I’m pretty sure about the sex. That glass trick works pretty well.

It’s not every day …

I had to scramble to find a professor to cover my two-hour information graphics class at Michigan State. He called me after an hour from his office saying that most of the students had no interest in what he had to show (his great design work) but instead they just continued working on the map project I had assigned before. Not very neighborly of them. So he left them, and I’m sure most of them left, too.

The words you do want to hear:

“Judges, congratulations, you’re all done!”

I loved my fellow judges. And also the facilitators (professionals who paid their own way to be there) who bossed us around, did all of the heavy lifting, counting, organizing, and even fetched us chairs and soda (I mean “pop.” I’m a Midwesterner now.)

I especially enjoyed the students from Ohio U. and Syracuse U. who teased us with their portfolios. They were a smart, creative, curious and VERY silent presence. If they even TRIED to speak to us while we were judging they would be whisked away by an SND facilitator, as you’ve seen security details do when a fan tries to talk to their movie star client. We're such stars!

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Check out the fence.

The medal discussions —at times intense, but always instructive, and never really too personal, sort of— were a high point. We’d say things like, “with all due respect…” and “I just can’t…agree.” We’d mumble “sorry” to the others if we were the only holdout for a silver award. Once, when I was pushing for a silver, someone apologized to me and I responded, “Hey, I’m going to sleep tonight just fine.” I kept it all in context.

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Judgemate Carrie Cockburn (Globe and Mail, Toronto) gets translation from Alberto Cairo (School of Journalism, Chapel Hill, N.C.)

Oh, and in the realm of “if you think that was awkward...” I had another “moment” with the judge I mentioned in my previous entry. You may recall that I had said something negative about a graphic that I was judging and it turned out to have been created by this person. I thought that it utilized an overused approach for presenting a certain kind of information (no, I won’t say what it is).

You could have cut the tension in the air with a knife.

Well, this judge (who I adore, by the way) and I agreed to look at a student’s portfolio together, so we settled around a table and hunched over her big black book. But when she opened it the other judge and I both gasped with astonishment. There, on the opening page, was a graphic with the EXACT imagery that the judge had used! I felt like someone had driven a branding iron into an open wound in my forehead.

Only in the movies…

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It's a cow, it's a boxing glove, it's a ... map?


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